Organizational Case Study Essay Example | Topics and Well Written Essays - 2500 words

Organizational Case Study - Essay Example Multiple tiers of research, analysis, theories, hypotheses, and conclusions will be drawn apply the necessary programs as well as the human and other resources to successful serve all areas -- senior level managers/executives and the board of directors, full time employees, professional and paraprofessional staff, as well as the clients from the urban community -- of the organization. In a professional bureaucracy such as the Continuing Education Department, the administrator must be disseminate the department piece by piece, work group by work group, market segment by market segment to properly determine roles and responsibilities as well as levels of accountability. "Its operating core is large relative to its other structural parts - particularly the technostructure. Few managerial levels exist between the strategic apex creating a flat and decentralized profile. Control relies heavily on professional training and indoctrination." (Bolman & Deal, 2003, pp. 65-66) This approach will provide a grid and foundation for future forecast and the building of paradigms and theories to manage and develop programs in response to the needs of employees and affiliates as well as market (s) and community needs. Further segmentation, research and analyses provides greater understanding of the customers needs, trends and opportunities for innovations to serve both the communi ty outreach efforts and the staff development activities. The identification, research and analyses should provide the material to determine best practices, development of the Strengths, Weaknesses, Opportunities and Threats (SWOT) analyses, due diligence, competition within and without the immediate market community as well as trends in the distance and continuing education industries collectively. The development of other approaches will provide the basis for understanding decline in enrollment over the last two (2) years for both the staff development and community outreach programs. It is necessary to thoroughly understand the organizational chart, gaps strategy, reevaluation of corporate missions, the identification and qualification of redundant and/or overlapping responsibilities and programs, as well as streamlining departments, funds for the programs from both the strategic and operations levels to appropriately identify, define, qualify, design, redesign, develop and imple ment effective and efficient solutions and methodologies. Leadership and Strategic Planning Any philosophy developed to properly administer policies and procedures must reflect the organizational proficiencies as well as the community's needs, as this will allow both the internal and external environment to grow synergistically and symbiotically. The objectives must be apparent in the organization's long and short term goals and be a model to develop other programs as well as a foundation on which the organization can grow in response to the community's needs. In order to approach or create methodologies that address the organizational needs, careful assessment must be made to understand corporate mission and Strengths, Weaknesses, Opportunity and Threats (SWOT). These are areas which provide focus and bench marks in checking and reviewing environmental feasibility issues.

Black People and Young Black Man Essay Example for Free

Black People and Young Black Man Essay The narrator 1. Who is the narrator and what is the narrator’s attitude towards white Afrikaner ruling party, to blacks, and to Europeans? 2. What do these attitudes tell us about why people are divided in South Africa and in our larger world, maybe regardless of race? Van der Vyver 1. What does the action of his crying in the police station suggest to us? Are you surprised by this reaction—why or why not? Does this make him more likable—why or why not? 2. What do we learn about him by his action at the funeral? 3. What does it show us in the description â€Å"he does not let her clothing, or that of anyone else gathered closely make contact with him’ (2578). How does this moment contrast with â€Å"The farmer carried him in his arms, to the truck. He was sure, sure he could not be dead. But the young black man’s blood was all over the farmer’s clothes, soaking against his flesh as he drove† (2578)? What do we learn about Van der Vyver? The moment 1. What exactly was the moment like for Lucas and Van der Vyver before the gun went off? What does this say about their relationship? (2578) 2. Why is this moment compared to the moment that he and Lucas’s mom share at the funeral? What does it suggest to us about their relationship? (2577) To close: 1. In what way is this story about difference? About misconception? 2. What is the more tragic element of this short story in your mind?

Chaucers the House Of Fame: The Cultural Nature Of Fame :: essays research papers

Chaucer's "The House of Fame": The Cultural Nature of Fame QUESTION 7. DISCUSS THE CULTURAL NATURE OF FAME AND ITS TEXTUAL EXPRESSION WITH REFERENCE TO ONE OR MORE OF THE FOLLOWING: ORAL HEROIC POETRY, CHAUCER'S DEPICTION IN THE HOUSE OF FAME AND THE MODERN CONSTRUCTION OF THE CANON OF ENGLISH LITERATURE. YOU SHOULD FOCUS YOUR ANALYSIS ON THE INTERPLAY OF ORAL AND LITERARY TRADITIONS IN THESE CONTEXTS. Many critics have noted the complexities within Chaucer's The House of Fame, in particular, the complexities between the oral and the literary. The differences between these methods are constantly appearing; Chaucer is well aware of rapidly changing communicative practises and contrasts the preservation of utterance with the longevity of literary texts. He achieves this by discussing the nature of "Fame" and the difficulties that arise from it. "Fame" can both destroy and create. It can result in the eternal preservation of great works and their creators. However, Chaucer is quick to note the precarious nature of "fame" noting the unreliable process of attaining it and its potentially momentary existence. Every creator with their respective work/s naturally crave and desire "fame"; they want their subjects to remain fresh in the minds of their audience. Chaucer, while neither totally praising the written nor the oral, reveals how essentially the written word is far more likely to become eternal as opposed to the oral. The relative "fame" of any work is dependent on many factors. Many traditional and classical ideas result in the formation of the English canon, yet as Chaucer indicates, the "fame" of these works can easily become annihilated. The arrival of new readers with different ideals and thereby changing tradition, can reject classical or "canonical" work and their "fame" will melt into nothingness. Most stories, histories and legends that emerge from oral heroic poetry are to herald the achievement of the powerful and wealthy so that their histories will not fade from the memories of the population. The stories of Beowolf are a clear example of this, as within these stories, (whether embellished or no), Beowolf's fame and legend reaches the modern reader hundreds of years later. Clearly, Beowolf is still very much dependant on the conventions of oral traditions and written to leave a permanent reminder of Beowolf, to enforce Beowolf's fame. The use of "Hwaet" to mark the start of an oration, emphasises the continuation of oral tradition. Most oral cultures (usually illiterate), pass on stories and legends learnt from the previous generation, basically using the authority of recalled memory, not as an actual witness; rather 'I have heard it said` than 'I know this to be true`.

Boom of Credit Cards

Credit cards have become such a familiar feature of the life style in the world that it is difficult to imagine a consumer economy functioning without them. The credit cards are nowadays the most convenient of all types of payments. The boom of the credit card industry has affected everyone in the world of the â€Å"plastic money†. That was the name given to the credit card right after it was invented. Nowadays, the â€Å"plastic money† occupies a very important place in the economy of the country. â€Å"Settlements indicates that the number of credit cards in circulation increased 34 percent between 1988†¦.. The data also show that the value of credit card transactions increased 98 percent during the same period† (Yoo, p. s. 1997). A lot of reasons explain the fact that the credit cards are holding the most important place in the wallet and purses today. Behind these reasons , is hiding a crucial social phenomenon that has very bad consequences in the country, credit card abuse. Despite the measures taken by the officials, statistics prove that the number is increasing everyday. Today, Visa and Master card occupy an important place in the credit card marketplace but the pioneer in the business remains to be Diners Club. In 1949, as the luncheon tables were cleared at the Major†s Cabin Grill, a popular New York restaurant of the period whose location next door of the Empire State Building was then a considerable asset, three men sat huddled over a prime table off to one side †¦. In their excitement, they called over Major, the proprietor and asked him how much he would pay for business that he would not ordinarily get. Without flinching, Major replied â€Å"7 percent† , number that established a major industry (Lewis, 1990). ` Those three men were Alfred Bloomingdale, Frank Mc Namara and Ralph Snyder. They conceived a plan for a new type of credit card. Unlike the retail and gas credit cards, which were restricted in use to those industries, theirs would be â€Å"universal† card that allowed its holders to purchase goods and services at different places across the country. An industry was born, Diners Club As a matter of fact, the period right before the First World War, was the first year for a new industry, the credit card industry. Those first credit cards were not really credit cards as they are today because they served only for limited needs. They could be used only on a very low level. The use of credit cards by retailers began in 1914†³ (Lewis, 1990). Since that date there was an inconceivable growth of credit card production. Prior to World War I, few hotels, oil companies and department stores issued credit cards. Then in 1931 the airline companies introduced the credit cards in their business (Lewis, 1990). The evolution and the expansion of the card went lide the speed of light. The most important step was the introduction of the credit card to the Internet in the 90†³s. Today, Web servers enable payments by credit card. A credit card transaction over the Internet is one of the most common types of payment. If a merchant has an account with a merchant bank that offers Internet credit card processing, he would be able to accept credit card payment over the Internet (http://search. netscape. com). â€Å"There was an increase of $78 billion over 1994, in just one short year. We†ve been tracking it since 1980, and we†ve never seen that kind of increase before. † (Glenn, 1984, pp. 857-68). What are the reasons that explain the fast increase of the use of the credit cards? As one reason that might explain the phenomenon, some people may think that carrying a credit card is much easier than having cash or a checkbook in their wallets or purses. There is no doubt that the â€Å"plastic money† doesn†t bother in a wallet or a purse because of its tiny size. Another reason that may explain the credit card fever is that it allows its holders to spend the money they haven†t got yet. Actually, it looks like free money, although it really isn†t. That is the case of the college students who have credit cards and whose parents will pay the debt their child has created. The strongest argument that could be also the main reason the t explains the increasing number of credit card transactions is that a lot of low income-persons are carrying â€Å"plastic money† and are using it widely but not wisely. When the time for paying off the balance due comes, a lot of people do not have enough money to clear their bills. Here is the beginning of a cycle that probably will never stop (Kathy and Bill B. â€Å"s case) until the credit card company or the banks realize that their customer†s debt is growing every month. Before any reaction of the creditors, the debt has reached an unbelievable amount. As a result of a non-payment of the bills, the problems in the credit card industry began. In addition to lost or stolen cards and billing errors, an uncontrollable phenomenon was born in the industry, fraud. Two major aspects determine the fraud in the industry, stolen cards and the black market created around the â€Å"plastic money. † In fact, counterfeiting credit cards has taken an important turn during the 60s. As expected, not long after they had instituted the unsolicited credit card programs in the late 1960s, the bank began to experience significant losses due to fraud (Lewis, 1990). Statistics prove how fast the fraud went up in the industry. In 1964, the U. S. Post Office investigated only fifteen cases of credit card fraud. Four years later, in 1968, that figure shot up to 360, and the following year, it more than doubled to 762. In 1970, Andrew Brimmer, one of the Federal Reserve Board†s seven governors, showed that bank charge card losses had increased 50 percent that year to $115. 5 million or $3. 4 percent of $3. 4 billion in outstanding credit card debt (Lewis 1990). In 1971, the Los Angeles Police Department made public its first reported of counterfeiting credit cards. The counterfeiters, two women and one man who apparently had knowledge of at least one bank numbering system used authentic blank cards stock to succeed their operation (Lewis, 1990). The very fast assumption of the abuse in the credit card industry made the banks and the credit card companies think about finding solutions that could stop this terrible phenomenon. Since the major source of losses in the industry was stolen cards, it was very hard for the credit card companies to find a solution that would stop fraud. The fraud in the credit cards industry had had an important impact in the economy of the United States such as financial losses. In 1973 alone, credit cards losses were estimated to be $288 million-or 1015 percent of the total credit card sales (Lewis, 1990). The delinquency rate has risen four quarter in a row for the first time since 1991†¦.. At the end of 1991, $3. 4of every $100 owed on credit card was delinquent, up eight percent from 1994 (Business Journal of Charlotte, 1996). Whose responsibility was it? In large part, the banks themselves were responsible for their continuing losses. In their desire to market their cards as actively as possible, they were reluctant to tarnish the image go the credit card by publicizing stories of thefts and losses , so they hid the information not to alarm potential cardholders(Lewis, 1990, p. 8). The government may be held responsible as well because the government issues cards to the members for government travel expenses only. Unfortunately, those cards have been used for the purchase of liquors, jewelry and flowers (Fritz, S. 1996, March 16). That is another â€Å"ugly face† of credit card abuse. The people who were supposed to help the country to overcome the problems abuse intensify the situation. As the industry was growing, the banks and the credit card industries did not think of any alternative that would stop an eventual fraud in the industry. The lack of management was one of the major sources of the problem. As one solution that had to be found, the credit cards companies invented the secured credit card that allows the customer to spend not more than what he or she has in his or her bank saving account. That seemed to be a good solution to stop the fraud but criminals are so good that they devised ways to tap into potentially lucrative market. By the mid 1970†³s, the credit card companies installed their own law enforcement to fight credit card fraud, the Association of Credit Card Investigators (ACCI). The role of this unit o the credit card companies was to have a better management of the growing number of customers. One measure initiated by the ACCI that proved effective was a combination of a post mailer with dual dating on the credit card. A dual dating enables the credit card Company to delay the effective starting date of the card until after it should have been received by the cardholder. The post mailer informed the intended cardholder that a card had been mailed to him or her and that the credit card Company should be notified if it had not yet been received. As a result to the important measures taken by the credit cards companies, 75% drop in fraud in the first years (Ventura, 1992). Another preventive measure adopted by the credit cards companies was a warning bulletin alerting the banks and merchants to fraudulent cards. All the major credit cards companies did not approve this kind of measure. On one hand, American Express, Diners Club felt that the warning bulletins were necessary to control fraud as well as the misuse of cards by delinquents and overspenders. On the other hand, Visa took the position that warning bulletins were not necessary and that sending postcard was enough. Statistics proved later that Visa was losing a higher percentage of its charge volume from fraud than American Express and diners Club(Lewis, 1990). The solution on the federal level would be an abolishment of the government credit card system as suggested republican George W. Gekas (R-Pa)(Los Angeles Times, 1996, March 16). In spite of the tough measures taken by the banks and the credit card companies, losses due to fraud continued throughout the 70s. As the 80†³s approached, the credit card companies overcome most of the legal and operational problems such as billing errors and the development of an efficient nationwide up-to-the-minute authorization system. A wide laws and regulations system now govern the functioning of the industry but still the fraud is inevitable. This number is still increasing due to the corruption of our society. The only way you can help to stop this is by changing the whole system. But then there will be some people who will pursue their illegal actions, and will find a way to abuse other systems also.

Illustrate and Critically Discuss the Representation of Gay People in Television Sitcoms or Soap Opera.

Illustrate and critically discuss the representation of gay people in television sitcoms or soap opera. As the issue of representation is central to this essay, it is important to note that there have been problems with identifying a definitive meaning of ‘representation’. Several theorists have commented on the concept of representation. Stuart Hall (1997: 61)) defines representation as ‘the process by which members of a culture use language†¦to provide meaning’.From this meaning, he says, we can already see that ‘representation’ cannot possibly be a fixed, unchangeable notion. While culture and language evolve and grow with human society, the same must therefore be said of the perceptions of ‘representation’. Gillian Swanson (1991: 123) backs up Hall’s theory, observing that ‘there can be no absolute version of ‘how things are’ but only many competing versions’. She continues: Ideas about what people are like and how they are meant to be understood already prevail in our culture.They give meaning to our sense of self and allow us to position ourselves in relation to others. Such meanings and attitudes are reproduced in representation but the way representations are constructed is as important as the ideas and meanings they project, since they offer positions for us, through which we recognise images as similar, or different from, ourselves and those around us. We continually define ourselves in changing relations to those meanings; images change over time and the meanings which are legitimated by the social or cultural context change as well.The general idea of ‘representation’ then, not only changes over time, but may also have several different interpretations at any given point. Alexander Doty and Ben Gove (1997: 84) argue that when discussing homosexual representation in the mass media and popular culture we must look ‘beyond understanding the â₠¬Ëœmass’ or ‘popular’ as necessarily meaning a mainstream media or culture that only addresses millions of heterosexuals’. They acknowledge another, ‘alternative’ mass media that runs parallel to the ‘mainstream’ mass media but has been pushed to the sidelines in the past.A conservative viewpoint would state that this is because the mass media should convey the will and desires of the ‘majority’ and therefore should not be made to positively represent anything that contradicts the society’s dominant ideology. However, Doty and Gove note that in recent years the lines between these ‘mainstream’ and ‘alternative’ mass media have become blurred with, for example, the screening of programmes written, starring and watched by lesbians, gays and queers on television.Having said that, this by no means implies that there is less of an issue to be raised by the representation of homosexuality on television. The most obvious issue surrounding this is, of course, the stereotyping of gay characters on television and, in particular, television sitcoms. While gay, lesbian, bisexual and transgender characters did not appear in television sitcoms until the 1970s, modern television sees an entire genre of situation comedies featuring gays.These types of programmes are no longer written by the homosexual for the homosexual, but have become integrated within Doty and Gove’s ‘mainstream’ mass media. They discuss the importance of being aware of who finances, creates, publicises and exhibits a certain programme, and how these factors might affect the way that programme represents ‘queerness’. For example, the two creators of the ‘gay-best-friend’ sitcom Will & Grace are Max Mutchnick, who is gay, and David Kohan, who is straight.Arguably, the way in which ‘queerness’ is represented here may have benefited from having a homosex ual and a heterosexual input. This way, the show has more chance of appealing to a wider ‘mass’ audience. Consequently, it is possible that the gay, lesbian or queer characters featured in television sitcoms may have been tailored, in a sense, for a heterosexual audience. This could go some way to clarifying why Will & Grace, unlike many other similar sitcoms of its kind, has become so popular. Stephen Tropiano holds a simpler view, claiming that ‘the success of Will & Grace really comes down to one thing – it’s funny.What separates Will &Grace from the gaycoms that only last a few months has little to do with its politics and more to do with the talent of the performers and the quality of the writing and direction (mainly, James Burrows, one of the best in the business). ’ Swanson notes the ‘extreme and caricatured way in which [stereotyping] draws on commonly-held impressions and assumptions’. It may be assumed that the views Sw anson talks about are ‘commonly-held’ by the dominant, heterosexual audience that the mass media is seen to address.If this is the case, then this may account, in part, for some of the stereotyping of gays in television sitcoms. A more positive (and therefore acceptable) representation would make the programme much more accessible to a much wider audience. But what could be regarded as a ‘positive’ image of gays and lesbians in television? Doty and Gove note that many of the images regarded as ‘positive’ by, and that received praise from critics and watchdogs were ones that played down homosexuality or ignored the issue altogether, depicting gays as being ‘just like everyone else’ in their attempts not to make it a focal point.On the other hand, those images where gays were more explicitly depicted fared no better. Joshua Gamson (1998: 21) found that studies of the portrayals of gay men and lesbians in film and television ‘ha ve soundly demonstrated how homosexual lives have been subject to systematic exclusion and stereotyping as victims and villains’. For example, Gamson cites Vito Russo’s The Celluloid Closet, in which Russo argues that television has produced ‘stereotypical conceptualisations of AIDS that vilify gays and legitimate homophobia’. Doty and Gove take this a step further, observing that:By the late 1980s and 1990s, the recurring televisual image of gay men with AIDS sparked heated critical debates over exactly what kind of image it was: ‘negative’, because it depicted homosexuality as a victimhood that, yet again, ended in death; or ‘positive’, as it encouraged sympathy and even admiration for gay men through images of their courage in the face of death. They identify a bit of a grey area concerning the labelling of the representation of homosexual images as ‘positive’ and ‘negative’ in that different people wi ll look at these images from a variety of perspectives; there can be no universal interpretation of any given image.The same can be said of trying to define ‘realistic’ images of gays, lesbians and queers on television. Doty and Gove observe that there are two ways in which people recognise these ‘real’ images; some note that text expressively marks the imagery through dialogue or by showing physical or sexual activity. Recent examples of this are Matt Fielding (Melrose Place), Simon and Tony (Eastenders) and Beth Jordache (Brookside). Other people feel that realistic images do not need to use explicit text to gauge a character’s sexuality on the basis of other signs.Many viewers see characters like Mr Humphries (Are You Being Served? ) and Xena (Xena: Warrior Princess) as being gay, lesbian or bisexual. These two binary explanations of what constitutes as a ‘realistic’ image of queerness shows the difficulty in even defining what Ã¢â‚¬Ë œreality’ is for gays, lesbians and queers. It is difficult to define a ‘typical reality’ or, to put it another way, to recognise a general gay ‘identity’ in which to categorise them. Essentialist theorists state that they are bound together by the fact that their identities are determined by their sexuality.Donald Hall (2003: 42) suggests that such theorists would argue that ‘same-sex desiring individuals have always existed and that however much their context may have changed, they were, without a doubt, aware of their sexual desires and they must have thought of themselves as belonging to a distinct group of similar individuals’. While it makes sense that the individual would have been aware of their sexual desires, constructionist theory would perhaps note that historically they may not have been aware of any sense of belonging, rather one of detachment due to the cultural influences in society at the time.Constructionist theory, say s Hall, emphasises language and belief systems in order to determine identity. Richard Dyer (2002: 19) observes, rather importantly, that ‘a major fact about being gay is that it doesn’t show†¦the person’s person alone does not show†¦that he or she is gay’. He argues that there are ‘signs of gayness’ such as expressions, stances and clothing that ‘make visible the invisible’. Typification is a near necessity, says Dyer, for the representation of gayness, which he argues is the product of social, political, practical and textual determinations.He deduces that the social factor is an integral one from which gay people can be recognised: The prevalent fact of gay typification is determined by the importance of a social category whose members would be invisible did they and the culture not provide lifestyle signs with which to make recognition possible†¦It is probable that most gay people are for most of their lives in fact invisible. Acting and dressing gay may only be an evening or weekend activity; in particular, it may not be practised at the workplace, or for married gays at home either.Equally, many people who are homosexual may never identify with the various gay lifestyles, never, in this sense, define and produce themselves as gay. What Dyer conveys here is that to be classed as ‘gay’, a person must be able to identify with not only the inner, biological aspects of ‘gayness’ (as put forward by essentialism) but also with the cultural aspects around them (as suggested by constructionism). This in itself is quite stereotypical because of the presumption about what is ‘gay’. Those who do not conform to this ideal are classed as ‘invisible’.Accordingly, the images we have been seeing of gay characters in television sitcoms may only be representations of certain types of gay people, and it is difficult to know whether or not these people are a majority or a minority. Will & Grace attempts to deviate from the stereotypical notions of ‘gayness’ through its two gay main characters, Will and Jack, and provide an insight into ‘invisible’ gayness. James Keller (2002: 124) describes the two main male characters as ‘foils representing diversity within gay masculinity, a diversity which argues for and against gender stereotypes about gay men’.The name ‘Will’, Keller says, signifies resolution and courage while the surname ‘Truman’ suggests that Will is a ‘real man’. This is also put across in the way he dresses. As an attorney, his conservative style and uptight personality mean that Will shows little of the usual stereotypical traits that signal to an audience that he is gay. Keller compares him to the modern sensitive male (such as Ross Geller in Friends), and his primary relationships focus mainly on women, namely Grace.The name ‘Jack’ is reminiscent of a joker or jester, a clown basically. While ‘Truman’ represents composure and respectability, ‘McFarland’ implies waywardness and outlandish behaviour. Tropiano asserts that, similarly to Will, Jack ‘isn’t exactly gay either: he’s hyper-gay’. Keller describes Jack as ‘silly, irresponsible, immature, narcissistic, effeminate, insulting and promiscuous’, the epitome of the negative stereotypical gay male, ‘made lovable by humour and childlike unselfconsciousness’.Their apparent contradictory personalities are, says Keller, the ‘respective embodiments of the familiar and the unfamiliar, although, paradoxically, what is coded as familiar here is actually unfamiliar in the history of gay representation’. He notes that Will is presented as the ‘norm’ whilst Jack is portrayed as unusual among gay men in a respectable, middle class situation. While Will is offered as th e ‘preferable alternative’ to the stereotype of the gay man, because Jack is much funnier and more stylish than Will he could, points out Keller, easily also be a preferable alternative.This presentation of two very different types of gay men, both preferable to the stereotype, serves to not only expand the culturally accepted notion of ‘gayness’ (as part of its political agenda) but also works as a hook to keep its audience interested (the main function of the programme). In addition to this, Will and Jack have enough depth, enough layers in their personalities, to represent – arguably – a certain sense of ‘realism’. Tropiano explains ‘[Sean] Hayes and the writers have created a three-dimensional character who, beneath his somewhat shallow exterior, is a strong, confident person.As a gay man, he’s also completely comfortable with his sexuality. ’ Will, on the other hand, though smart and successful, is the cha racter that most needs personal guidance, about love and relationships in particular, and Jack is often on hand to give this advice. Between these two characters, then, are a fair number of characteristics that gay, lesbian, bisexual, transgender and straight people alike would be able to relate to in some way.Furthermore, Will & Grace compromises with the dominant ideologies by making the most important relationships in the lives of the two gay characters heterosocial and quasi-heterosexual. By doing this, the problems identified in earlier ‘gaycoms’ such as Ellen (which was axed for being ‘too gay’ and overly political) are overcome and, as a result, more meaningful, contemporary representations of gay people seen in the show are able to ease naturally into cultural ideology as opposed to being forced through. Vito Russo (1987:325) argues against Richard Dyer’s (and others’) theory of invisibility.He says that ‘gays have always been vi sible†¦it’s how they’ve been visible that has remained offensive for almost a century’. Joshua Gamson supports Russo, pointing out that, until recently, gays and lesbians had very little input into their own representations. Dominant ideologies have therefore held virtually all control over how gays have been represented in the past, leading to negative stereotypes of gays. To remedy this, Gamson argues that ‘more exposure is the answer’. However, this in itself poses problems, such as when considering the positive/negative images approach.Doty and Gove note that its critics have suggested that ‘most definitions of what constitutes a ‘positive’ image would restrict the range of gay and lesbian representation as much as so-called ‘negative’, stereotypical images do, by encouraging only bland, saintly, desexualised mainstream figures who might as well be heterosexual’. But herein lies the problem: dominant c ultural ideology has, throughout history, commanded how gay people are represented in society and on television, and only recently have they been able to acquire some control themselves.After a period of trial and error, the television sitcom Will & Grace, with its innovative balance of hetero and homosexual political comedy, could be making its mark on society. During this time, gays, lesbians, bisexuals and transgenders have been continually trying to become fully accepted as part of mainstream culture. However, the images approach has been criticised for attempting to do just that. In an ever-changing culture, is the gay community in a state of confusion about which direction it wants to go, and how it wants to be represented when it gets there?References †¢ Craig, Steve (1992). Men, Masculinity and the Media. London: Sage Publications Ltd. †¢ Dyer, Richard (2002). The Matter of Images: Essays on Representation. London: Routledge †¢ Gamson, Joshua (1998). Freaks Ta lk Back. Chicago: University of Chicago Press †¢ Hall, Donald E. (2003). Queer Theories. Hampshire: Palgrave Macmillan †¢ Hall, Stuart (1997). Representation: Cultural Representations and Signifying Practices. London: Sage Publications Ltd. †¢ Keller, James R. (2002).Queer (Un)Friendly Film and Television. North Carolina: McFarland & Company Inc. †¢ Lusted, David (edited by) (1991). The Media Studies Book: A Guide For Teachers. London: Routledge †¢ Medhurst, Andy and Sally R. Munt (1997). Lesbian and Gay Studies: A Critical Introduction. London: Cassell †¢ Tropiano, Stephen (2002). The Prime Time Closet: A History of Gays and Lesbians on TV. Kent: Combined Book Services Ltd. †¢ Russo, Vito (1987). The Celluloid Closet: Homosexuality in the Movies. 2nd Ed. New York: Harper & Row

Battle of Hastings essays

Battle of Hastings essays Why did the Normans win the battle of Hastings? The battle of Hastings took place on October 14th 1066. It was between Harold Godwin and William the Duke of Normandy. William won for a number of reasons but here are just two of them. William had more men as well as having more time to prepare. King Harold did not have time to prepare properly for the battle because he had to fight Harold Hadraada and his brother Tostig at Stamford Bridge. After the battle of Stamford Bridge, Harold Godwin heard some bad news. This was that William had invaded. Harold had to march his men south very quickly. Many of his men were exhausted so he had to leave so he had to leave them behind. Some of Harolds best soldiers the housecarls had been injured or even killed in the battle so Harold had a weak army, which was mainly made up of farmers. On the other hand, William had more time for preparations. He had to wait a long time for Harold Godwin to arrive in the south, during this time William could prepare and make up tactics for the battle. After two whole weeks of waiting Harold Godwin eventually reached the south. As soon as William saw him the battle commenced. During the battle, the English fought hard and well but sadly not all was gained. William had more cavalry who wore chain mail armour and fought with spears and bow and arrows. This was an advantage to William because Harold had a few house carts and the rest were all farmers who he picked up on the way to the battle of Hastings, also Harolds men had to fight with spears and battle axes. The Normans eventually won by using an old trick of pretending to retreat. This old trick was pretending to Harold that they were giving up because they had been beating. The Anglo-Saxons were over the moon so when the Normans started to walk away Harolds men ran down Senlac Hill and started chasing them away but unfortunately William and his men...

What Is It to Live in Time Observing Nature and Society in the Long Run of Time

What Is It to Live in Time Observing Nature and Society in the Long Run of Time Introduction Theoretical issues can be of primary importance for making certain decisions because theoretical ideas are implemented in practice. Observation of nature and society can clarify the issue of living in a certain period of time and experiences the processes that take place in natural environment, in society, and interact with other individuals.Advertising We will write a custom essay sample on What Is It to Live in Time: Observing Nature and Society in the Long Run of Time specifically for you for only $16.05 $11/page Learn More As some conclusions can be based on observations, it is necessary to consider the work by Engels and Marx that analyses the relationships between individuals in society in terms of their connections to each other and types of interactions; Freud focuses on the role of an individual in a society in terms of its relations to the civilization, and Darwin emphasizes the relations of individuals in terms of natural environment and other living species that inhabit the same territory. Examination of Sources The Communist Manifesto by Engels and Marx â€Å"A specter is haunting Europe - the specter of communism† (Marx and Engels, Preamble). The first statement of the manifesto identifies the relation of people towards the period of time they live in and characterizes the relations between people. As communism is described as specter, people are either unaware or afraid of it. However, the next passage clarifies the issue and analyzes that people were aware of communism but did not know exactly the peculiarities of regime and its consequences for the world. So, one of the prominent features of this work can be considered an idea of observation enlarged on while writing. For instance, the author described the ways of production and their adjustment to the needs of contemporary people hence thinking about changes that should be made in every situation when time comes, some time is necessary to see the necessity of changes and take appropriate steps: â€Å"The feudal system of industry, in which industrial production was monopolised by closed guilds, now no longer sufficed for the growing wants of the new markets† (Marx and Engels, Chapter 1, para. 7). Thus, the author analyzes the actions of people and relations between different classes in society by observing the history and inferring from events that happen all the time. Repetition of events is the main concept that can be emphasized from Marx’s observation of society in a long period of time. Civilization and Its Discontents by Freud People need those ‘regulations which adjust the mutual relationships of human beings in the family, the state and society† (Freud 59). This is one of the examples that demonstrate how the author used observation of nature and society to infer from things he saw. The work is aimed at analysis and interpretation of the major reasons and preconditions for creation or appear ance of civilizations.Advertising Looking for essay on comparative literature? Let's see if we can help you! Get your first paper with 15% OFF Learn More Freud noticed that all individuals have something in common and that every period of time can be marked with certain peculiar features that can be tips for creation of civilizations though every change requires a lot of time. Moreover, he analyzed the events that took place in the era such as the World War I where all technological innovations were used and the nature of order: â€Å"The benefits of order are incontestable. It enables men to use space and time to the best advantage†¦Ã¢â‚¬  (Freud 70). Freud tried to explain that time is the only concept that is important because people adjust to certain life situations after experiencing difficulties. On Natural Selection by Darwin Chares Darwin contributed greatly to the development of evolutionary theory and clarified some aspects of natural selecti on: â€Å"We behold the face of nature bright with gladness, we often see superabundance of food; we do not see, or we forget, that the birds which are idly singing round us mostly live on insects of seeds†¦Ã¢â‚¬  (Darwin 1). In this respect, the whole concept of theories was built using the method of observation that enabled the author to see differences and similarities in certain areas of nature and society and analyze the importance of species, selection (that was mostly compared to breeding), and evolution. The author claims that nature can make more obvious changes in the look of species than do men by breeding because of time needed for greater differences: â€Å"†¦adding up in any given direction mere individual differences, so could Nature, but far more easily, from having incompatibly longer time at her disposal† (Darwin 22). In other words, Darwin could demonstrate every point and every concept of his theories, suggestions, and hypotheses using society and natural environment as examples because the structure of the natural societies such as prides, shoal, packs, and other groups is very similar to the structure existing in human society. A long period of time was necessary to infer from observing nature and society. Conclusion Different researchers used the method of observation to examine the world, its structure, and minor groups and concepts existing in it. Thus, Darwin was not the only to focus on the origin of species but one of the first to implement the analysis of species to human beings.Advertising We will write a custom essay sample on What Is It to Live in Time: Observing Nature and Society in the Long Run of Time specifically for you for only $16.05 $11/page Learn More Freud analyzed the interactions between people as he saw the war and wanted to explore the reasons and peculiarities o individuals and civilizations. So, every observation needs a long period of time to make logical and adequat e conclusions concerning the nature and society and relations between these concepts. Darwin, Charles. On Natural Selection. New York: Penguin, 2005. Print. Freud, Sigmund. Civilization and Its Discontents. New York: W. W. Norton and Company, Inc., 2010. Print. Marx, Karl and Friedrich Engels. Manifesto of the Communist Party. Marx/Engels Internet Archive 1987, 2000. Web. https://www.marxists.org/archive/marx/works/1848/communist-manifesto/ch01.htm.